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RAKU: Experimental & Alternative Techniques

10.00 - 16.00
18 Aug 2026
-
19 Aug 2026
10.00 - 16.00
18 Aug 2026
Messums Studios, Chilmark
£350

This two-day course with Andy Mason will cover numerous experimental methods of saggar firing associated with the modern RAKU.

Tutor: Andy Mason

Dates:18 - 19 August 2026

Time: 10.00 – 16.00 (lunch in the middle of the day)

Location: Messums Studios, Chilmark, SP3 5DU

Course Fee: £350


This two-day course with Andy Mason will cover numerous experimental methods of saggar firing associated with the modern RAKU. It is an ideal course for those who are fascinated with deeper understanding of the ceramic process and firing technology, and would like to explore and understand RAKU and alternative firing methods. 


Over the two action packed days with Andy Mason, you will have the opportunity to trial the following topics:


Repurposing a decommissioned electric kiln to make a RAKU kiln

Naked RAKU
Copper wire in-glaze fusing
Metal mesh saggar firing
In kiln reduction firing



Japanese in origin, RAKU loosely translates as ‘pleasure’ or ‘enjoyment’, and dates back to the 16th Century.Its historical roots are based around creating rustic, though precious, tea-bowls for the traditional Japanese Tea Ceremony.


The Western interpretation is more usually known for the drama and excitement of the rapid ‘live’ kiln firing, unfolding with the joy and incidental surprises of this creative process.This workshop will focus on the alternative methods that have emerged and developed from the latter part of the 20th century, taking advantage of the adaptability of fast firing lightweight RAKU kilns. 


The course will also cover the conversion of an old decommissioned electric kiln into a RAKU kiln which will be one of the kilns we will use during the course. Naked RAKU (aka. sacrificial glaze firing) is a fascinating method where exterior glaze is sacrificed (peeled off and discarded) to reveal the smoke design on the surface of the pot beneath.Saggar firings and fuming methods offer a fascinating addition to the RAKU of today and offer a wide and dramatic colour palette to the contemporary potter.


Participants are welcome to bring up to five pieces of their own biscuit fired work. We recommend Ashraf Hanna clay to be used for making. We strongly recommend that you consider burnishing the surface of the work intended for Naked Raku.Size specification for the work for this course:


Size Limits:

Height maximum – 240mm.

Width maximum – 140mm.

Maximum 5 Pots


Please note – Wide open bowl forms are generally more difficult in terms of vulnerability to cracking, and also more difficult placing in and removing from the kiln if there are several other pieces alongside. Bowl forms should be a more closed shape- i.e the rim is not the widest point. 


Alternatively, you can purchase vessels pre-made by the studio in an Ashraf Hanna clay. Each vessel £20, or £90 for five. To order pots for RAKU firing, please contact us by the end of June 2026 to allow time for making.


Tutor Andy Mason, a potter with over 30 years experience, brings a dynamic and enthusiastic approach, sharing his individual techniques and guiding you through a range of creative glazing methods. Born and raised in North Staffordshire, he simultaneously draws inspiration from the historical legacy of The Potteries, nature and landscape influences, and appreciation of the great tradition of Raku, resulting in studio work ranging from technical precision through to a subtle asymmetry.Please bring: Sensible clothing and footwear, apron, notebook, packed lunch.

Lynne Heaton

Ceramics Tutor

Lynne Heaton is an artist and sculptor with a deep fascination for translating fables and fairy tales into works of art. Lynne works in mediums such as felt, painting, collage but most notably in clay. She is a qualified art therapist who is registered with the Health Professions Council, the British Association of Art Therapists and works as a practitioner with the Family Counselling Trust Wiltshire Charity.


Lynne is an experienced clay and art workshop leader who has worked with many community groups of all ages for over twenty years.

Edward Scott

Sandra Combes

Ceramics Instructor

Sandra Combes has been a member of Messums Studios since the start, first as an avid student, later on as a volunteer, and from Spring 2025 she took on the responsibilities of the studio coordinator and ceramics instructor/ tutor. Sandra lives locally and holds an Open BSc (hons) from the Open University with a bias towards Design. She brings to her work experience from her varied past careers in science and engineering and people-facing work. Her previous creative interest in textiles being a spinner, weaver and felter reflect in her clay work now.


Sandra trained in ceramics with Andy Glass and Mirka Golden-Hann, as well as learning from many of the Messums visiting artist tutors. Sandra also learned drawing and painting from Edward Scott and Laura Rich.

Sandra has a wealth of creative knowledge  besides ceramics which she enjoys passing on to Messums students, helping them to build their own creative confidence.

Emma J Findley

Drawing School & Outreach Lead

Emma J Findley is a fine artist, photographer, and art educator whose creative practice spans over 25 years. Working across fine art photography, drawing, and painting, her approach is process-led, valuing observation, material exploration, and reflective enquiry. Her work engages with themes of memory, landscape, and personal history.


Emma holds a BA (Hons) Fine Art from Leeds Beckett University and has worked across a broad range of educational contexts, from early years to higher education and alternative provision. Teaching remains central to her practice, shaping an inclusive, enquiry-led approach to making and learning. Alongside her studio work, Emma has facilitated exhibitions, residencies, and creative programmes, and continues to develop work at the intersection of artist, educator, and community practitioner.

Mirka Golden-Hann

Head of Messums Studios

Mirka Golden-Hann is a Czech-born ceramic artist and tutor with over 25 years’ experience in the field. She is a master of her profession with a reputation as a passionate and intuitive thrower. Whilst being a glaze technology specialist, her interest in ceramics is the pursuit of the medium beyond utility, exploring its nature to narrate and explore concept.


After graduating from The University of Westminster, Harrow Ceramics in 1999, she set up her first studio making salt glaze work. Funded by the AHRC she obtained a first-class MA Ceramics from Bath Spa University in 2009.


Throughout her career, Mirka’s pedagogical and curatorial practice has focused on collaboration, on creating learning spaces which enrich the community by forging meaningful interpersonal bonds, and most importantly on enabling others to thrive creatively.


In 2021 Mirka was invited to assist with the setting up of Messums Studios West in Chilmark and became the head of the studios in January 2022.

She is a published researcher and collaborative practitioner. Her work is held in public and private collections in the UK and abroad.

£350

RAKU: Experimental & Alternative Techniques

18 August 2026

19 August 2026

10.00 - 16.00

SPACES AVAILABLE

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